Ron Garcia, ASC
Whether inventing computer Systems or filming,
Ron Garcia, ASC, is in love with color. Good thing
he uses Fujifilm.
Ron Garcia, ASC, "eats, sleeps, and dreams
images" in living color. Garcia has spent the last
3 years at his
Macintosh inventing an invaluable color
management system for the motion picture industry.
It allows
cinematographers to access their dailies
through a personal computer, color correct images
on the spot, then send
them back to the lab to be matched to the DP's
exact choices.
Garcia has counted on FujiFilm to eliminate
trial and error since 1973, and it's given him
worry-free time to
indulge his passion. For one thing, Fuji's
customer service is "absolutely, incredibly
supportive," he says.
"Anything I need, they're always there." The
film delivers consistently great images. That's
what this inventor/DP
appreciates most. "The color it gives me and
the control of that color."
Find your color as well with FujiFilm.
Dennis Smith
FujiFilm gets Dennis Smith to places he's never
been-backcountry and behind the camera.
Dennis Smith loves to backpack into un-peopled
places. "I'll go that extra mile to find visual
space," says this
Director of Photography. He counts on Fuji's Super-
F series to go the distance as well, whether he's
trying to make time
for a "power" weekend or create a feature look at
the speed of television. "You need a film you can
trust."
Smith's most recent assignment on Fuji: "The
Practice," David Kelley's series about Boston
lawyers. Unlike the warm
tones of Kelley's "Picket Fences," which Smith also
DP'd, this series has more of a "high-contrast,
docudrama feel."
Using Fuji's 500 ASA tungsten and 250 ASA daylight,
he has the latitude to give the story life and
texture.
On the set or in the mountains, he likes the
feeling of accomplishment when he arrives someplace
he's never been. The
equipment's different, he says, but the idea's the
same. "Instead of hiking boots, tent, and backpack,
you have light,
color and film. It's all about a journey."
Take your own journey with FujiFilm.
David West
Thanks to Fujifilm's reliability, David West
serves aces and images at 100 MPH.
A champion tennis player, avid surfer and all-
around athlete, David West brings the advantages of
physical control
and concentration to his work. Hand-held camera
is this DP's specialty. West has skied, skated,
scuba-dived and run
backwards to get the shot he wants. "It adds a
whole other dimension in imagery," he says. "I
never say no to
anything."
West started playing tennis at age 5 and
quickly became a top-ranked player, putting himself
through college
teaching tennis. He still plays individual and
team tournaments, with a serve that clocks in at
over 100 mph. "It's
a sport for a lifetime."
He made his first movie at age 9 with a camera
his grandfather gave him. Today, he counts on
FujiFilm's reliability.
"The color really explodes. And Fuji brings out
the gray areas. The blacks come alive." It gives
him the freedom to
focus on other things. Such as which helicopter
he'll dangle from next. And hitting another ace.
Win your game, set and match with FujiFilm.
Bert Dunk
Bert Dunk is happy hunting down a jet engine or an
image. FujiFilm gives him the time.
On location, Bert Dunk counts on FujiFilm's
reliable performance to steal moments away from the
camera. Then this
Director of Photography can prowl through aviation
surplus yards in search of another jet engine. He
already has six.
"I've had them all apart and all running," says
Dunk, who's been fascinated with jet engines since
childhood. The
"fiddling around" puts his mind at ease. So does
Fuji's Super F-series. "I really like the latitude,
the nice, clean
blacks. The 250 stock is just beautiful. I love the
lack of grain."
Dunk's equally happy with Fuji's service. "They're
very conscientious. If I need anything, they bend
over backwards to
help fast." Now if he can only find time to switch
those jet engines, his swamp boat will go faster,
too.